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Reviews are the opinions of the
reviewer only and are not necessarily
those of PCGS or its newsletter
staff or board. We invite comments
to be sent to Karl Garrett.
Perhaps they will appear in the
next newsletter. We also welcome
contributions to these columns.
Reviewed: Guitar for Dummies
"The Ultimate Guide to Playing the Guitar"...."Pick your style. How to play rock, blues, folk and classical."
By Mark Phillips and Jon Chappell of Cherry Lane Music
We are all familiar with those bright yellow and black "Dummy"
books that seem to take up more and more shelf space in
the non-fiction areas of our favorite book store.
These books got their start by attempting to bring the
mysterious world of computers down to the level of the
computer-timid. I've never liked the idea of classifying
someone who simply doesn't know much about a subject as a
dummy, but capitalizing on our basic insecurities has certainly
sold a lot of books, and a friend of mine was helped a lot
from the original Macs For Dummies book. So as I was browsing
through the music section, I couldn't help picking up Guitar
for Dummies. With the shelves filled with pop/rock, I wondered
if this book would pander to that mass musical market of instant
gratification, or would there be an attempt to find some truth.
Would good technique (we might think of it as classical) be even
mentioned? Cherry Lane Music is not normaly mentioned in the
same breath as classical guitar, but when they throw down the
gauntlet with a subtitle like the above, they are asking for a
good hard look.
As I leafed through the book, I got the feeling from its layout and its
enthusiastic endorsement of itself that it was written not so much to tell
us about the guitar as it was to get us to buy the book. There are 354
pages in this book. The first 232 are devoted mostly to "cool" looking
electric guitars and how to play them (in this writer's opinion) poorly.
17 pages (buried near the end) are given over to classical guitar.
A great example can be taken from page 28. The picture shows a young
man sitting, feet spread wide and flat on the floor, his big
steel-string guitar resting on his right leg. He has his right-hand
little finger glued to the pick guard and his left thumb is prairiedogging
at least an inch and a half above the neck. One can imagine him saying to
himself, "Now, let's see, how do I fret that A chord"? But of real
interest, is the comment below the picture.
"Classical guitar technique, on the other hand, requires you to
hold the instrument on your left leg, not on your right. This
position puts the center of the guitar closer to the center of
your body, making the instrument easier to play, especially
with the left hand, because you can better execute the difficult
fingerings of the classical-guitar music in that position."
These two juxtaposed statements, visual and verbal, make one
wonder whether there might have been a little contention
while putting together this book. This is the only place
where classical guitar was mentioned, outside of the 17
pages mentioned earlier, where they give you a quick look
at the guitar and a blurb about its technique.
If you want to buy a book with cool pictures of electric guitars,
this is not the one. There are many better books like that and
in color too. If you want a general book, discussing how the
guitar might best be played, but without getting too technical
or mentioning too much the dreaded word "classical", read the
next PCGS Newsletter's review.
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